Offset Lithography
Print Experimentation
Data Visualisation Poster
The design aims to translate complex data into a clear and engaging visual system. The poster was produced using lithographic printing, with separate metal plates created for each colour layer.
All materials used in the process; plates, ink, and paper, were recyclable.
Letterpress Print
Print Experimentation
Typographic Poster
Screen Printing
Print Experimentation
Bilingual Typography
The poster was produced using a two-colour screen-printing process. The artwork was separated into individual colour layers, printed onto transparent films and exposed onto photo-sensitive screens. Each layer was then printed separately, requiring careful alignment and registration to ensure the two colours worked accurately together. The process also involved experimenting with ink, pressure and colour combinations to understand how production decisions could influence the final visual outcome.
Risograph Print
Print Experimentation
Information Hierarchy Practice
The posters were printed using Risograph, experimenting with a single-colour master, halftones, grain and tonal variation. The Riso process introduced distinctive textures and imperfections that became part of the visual language.
Non-printed Booklet
Print Experimentation
Non-print methods
The aim was to explore alternative forms of visual communication where meaning is conveyed through depth, texture, light, and material interaction rather than colour or printed text. To test this, I developed a small booklet as a collection of experiments. Each page focuses on a specific non-print method, and the booklet was later assembled through a simple binding process. All pages were produced using found materials and scrap paper, allowing the exploration to remain resource-conscious while also highlighting how different substrates affect the outcome of each technique.
Importantly, this was not only a technical exploration. Each method was paired with a specific content theme to test how effectively it can communicate meaning. For example, visibility vs invisibility was explored through subtle embossing and UV-like effects, where information becomes readable only under certain conditions.
Transparency and obstruction were tested through layering and cut-outs, revealing partial content. Hierarchy without colour was examined through depth and layering, using physical structure to indicate importance.
Material honesty was explored by allowing the inherent qualities of each paper to influence the message. In this way, each technique was evaluated not just for its aesthetic qualities, but for its communicative potential.